Celebrating 10 years of dok.incubator
at Ji.hlava IDFF

12 films at Sundance, 29 at IDFA and even a nomination for Academy Awards! Over the past 10 years dok.incubator workshop has been working with outstanding documentaries, contributed to 150 films and led many of them to awards at the world’s top festivals. This year’s anniversary will be celebrated naturally with film, namely with dok.incubator’s own retrospective festival section at Ji.hlava IDFF.

Some of the most successful films will be screened as a part of the dok.incubator retrospective festival section which takes place on Friday October 29th in the Small stage of DKO Jihlava.

Programme

10.00

The Machine Which Makes Everything Disappear /GE/

2012, 101 min

To get away. The main motif of the existence of young Georgians, who spend day after day in helplessness, misery and frustration with the reality of their homeland affected by the shadow of the Soviet past and an unclear future. A tapestry of destinies and fragments of extraordinary and ordinary life stories begins with the casting of young Georgians between 15 and 25 years old for the film shoot. A dream career in Hollywood, a desire to show off their singing skills, concern for their relatives and a flock of sheep, and above all, a strong need to share their stories of everyday hardship and joy. The portrait miniatures are transformed into a more complete parable about a broken, dying country and young people with dreams and a touch of hope.

10.00

The Machine Which Makes Everything Disappear /GE/

2012, 101 min

To get away. The main motif of the existence of young Georgians, who spend day after day in helplessness, misery and frustration with the reality of their homeland affected by the shadow of the Soviet past and an unclear future. A tapestry of destinies and fragments of extraordinary and ordinary life stories begins with the casting of young Georgians between 15 and 25 years old for the film shoot. A dream career in Hollywood, a desire to show off their singing skills, concern for their relatives and a flock of sheep, and above all, a strong need to share their stories of everyday hardship and joy. The portrait miniatures are transformed into a more complete parable about a broken, dying country and young people with dreams and a touch of hope.

10.00

The Machine Which Makes Everything Disappear /GE/

2012, 101 min

To get away. The main motif of the existence of young Georgians, who spend day after day in helplessness, misery and frustration with the reality of their homeland affected by the shadow of the Soviet past and an unclear future. A tapestry of destinies and fragments of extraordinary and ordinary life stories begins with the casting of young Georgians between 15 and 25 years old for the film shoot. A dream career in Hollywood, a desire to show off their singing skills, concern for their relatives and a flock of sheep, and above all, a strong need to share their stories of everyday hardship and joy. The portrait miniatures are transformed into a more complete parable about a broken, dying country and young people with dreams and a touch of hope.

10.00

The Machine Which Makes Everything Disappear /GE/

2012, 101 min

To get away. The main motif of the existence of young Georgians, who spend day after day in helplessness, misery and frustration with the reality of their homeland affected by the shadow of the Soviet past and an unclear future. A tapestry of destinies and fragments of extraordinary and ordinary life stories begins with the casting of young Georgians between 15 and 25 years old for the film shoot. A dream career in Hollywood, a desire to show off their singing skills, concern for their relatives and a flock of sheep, and above all, a strong need to share their stories of everyday hardship and joy. The portrait miniatures are transformed into a more complete parable about a broken, dying country and young people with dreams and a touch of hope.

10.00

The Machine Which Makes Everything Disappear /GE/

2012, 101 min

To get away. The main motif of the existence of young Georgians, who spend day after day in helplessness, misery and frustration with the reality of their homeland affected by the shadow of the Soviet past and an unclear future. A tapestry of destinies and fragments of extraordinary and ordinary life stories begins with the casting of young Georgians between 15 and 25 years old for the film shoot. A dream career in Hollywood, a desire to show off their singing skills, concern for their relatives and a flock of sheep, and above all, a strong need to share their stories of everyday hardship and joy. The portrait miniatures are transformed into a more complete parable about a broken, dying country and young people with dreams and a touch of hope.

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